To be hollow is an impossible tightrope exercise whose aim is to disappear. And when you fall, where do you fall? Toward yourself.

Matilde

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A laboratory for all kinds of scenic artists who seek to go beyond the conventional categories of theatre. A space where you can manifest your commitment to the performing arts, challenge superficiality and explore the meaning of the scene through intuition and reason.

Total scenic artists must become hollow, empty themselves of themselves and open the hollows where mystery lodges. A body capable of giving space to any content — a person, an animal, an object, a concept. This hollow is a channel that connects emotions, imagination and physicality, freeing itself from time and allowing a 360-degree communication. To reach the hollow we need honesty and humility, surrender and daring.

In this laboratory we will explore the four essential roles that every scenic artist must keep active: performer, audience, choreographer and director. We will break personal borders and replace prohibitions and obligations with authentic commitment and total surrender. The limits will be set by the living truth of each moment, not by preestablished canons.

A laboratory where you can investigate the languages of communication you already know from the perspective of scenautics.

What we’ll work on• Formation of the total scenic body — emptying yourself to be able to be anything

• The four essential roles of the artist: performer, audience, choreographer and director
• The hollow as technical and philosophical concept: reaching it with honesty and humility
• Scenic creation drawing on one’s own works and languages as research tools
• Adaptation to different kinds of audience and scenic spaces
• Commitment, authenticity and total surrender as methodology

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upcoming dates