
“Homo sapiens sapiens has gone extinct. He was found dead yesterday in his hotel room. And while the BND (German intelligence service) still investigates the cause of death, a postman sets out in search of the recipient of the last letter. A journey begins through dances, choirs and eras…“
FRANCISKAOS
CATALYST OF SOCIAL TRANSFORMATION
The production “One App at a Time” by Theater Göttliche Samen represents one of the most powerful expressions of how art can serve as a catalyst of social transformation in our times. Under the philosophy of what they call “the UN-Perfect”, this Berlin collective founded by Franziskaos and Andreas Uehlein has turned inclusion and diversity not only into a theme but into the raw material of its artistic creation.
What is truly revolutionary about this proposal is the genuine integration of young people in situations of vulnerability, people with different abilities and professional artists, working on equal footing to build a collective narrative about our relationship with technology. The project does not “talk about” inclusion, but materializes it in every element of the creative process, turning supposed limitations into unique expressive potentials.
THE WORK
In a world where the technology that promises to connect us often isolates us, “One App at a Time” uses the metaphor of the extinct iHomo sapiens sapiens to question how digital devices are transforming our human essence. The work invites us to reflect on who we are in this digital era, but does so from voices usually marginalized from these technological debates.
Participatory art is not simply an educational tool, but a space of empowerment where differences become creative strengths. As its motto goes: “The individual creative potential, including the performers’ disabilities, is reflected as concrete images in the productions.”


SYNOPSIS
In a future where hearts need notifications to beat, a postman searches for the recipient of the last handwritten letter.
His journey takes him through communities where bodies have forgotten how to touch without a digital interface, where voices only harmonize with autotune.
Between happiness algorithms and memories without a hashtag, he chases traces of analogue humanity. Who will know how to read a letter without an emoji?
Neither technophobia nor technophilia: a search for balance. In this hunt for lost humanity, he discovers that the last letter is not looking for a recipient but for a sender: someone who still knows how to write with the soul.
GALLERY
ARTISTIC CREDITS
· Classification: Theatre / Clown
· Creation: 2013
· Duration: 40 min
· Age rating: All audiences
· Performance: Lotta Gerlach, Mia Lehrnickel, René Görgen, Toni Nguyen, Meph, Shirin Olboeter, Giorgio Soza, Silja Korn, Carola Fenske, Sarah Kaiser, Tina Nguyen, Becci, franziskaos, Matilde, Andy Uehlein and many others.
· Direction: franziskaos
· Choreography, Movement Training, Performance: Rebecca Korang
· Movement training, performance and dance: Matilde J Ciria
· Music, Music Pedagogy, Project Coach: Till III
· Set design: Bodo Herrmann
· Main Assistant: Inga Loevenich
· Direction and Costume Assistance: Tina Nguyen
· Production, Design and Video Assistance: Toni Nguyen
· Press, Public Relations: Kerstin Böttcher
· Production Management: Katja Kettner + Tine Elbel
· Web Design: Felix Naumann
Funding and support:
With the support of: ALBBW Neukölln, Gropiuspassagen, Nachbarschaftszentrum Wutzkyallee, Weinmeisterhaus, Schloß Bröllin, Aktion Mensch e.V., EJF Lazarus, Gangway Alex und Marzahn, Jugendamt Berlin-Mitte, Karuna, Kinder- und Jugendbüro Mitte
More information: www.goettliche-samen.de












